Edward Albees play Whos Afraid of Virginia Woolf? is a drama exploring the anxieties of modern life. By personalizing aspects of the epic Albee has inverted many of its features to realize satire. This internalization pits individuals a formst each other and themselves. M. H. Abramss exposition of epic, in his book A refinement of Literary Terms, is used comparatively to demonstrate how Albee achieves satire. Abramss first description of epic is the closest to which Whos Afraid of Virginia Woolf? adhere- it is about a chimerical subject. The seriousness of the play is developed through its language, which is not noble or formal as in a traditional epic, rather, it is crude and intoxicated. When Nick and Honey arrive at George and Marthas beat up they are sober and speak formally. Any hesitation they create comes from the unusual situation they find themselves in. As they drink, Nick and Honeys clashing in the conversation becomes much than fluid and the remarks become more poignant. This, in turn, increases the intensity of the insults betwixt George and Martha. For them prodding is a possibility of one-upmanship with words their alone weapon. As the play progresses the implications of this become progressively serious.
In an epic, Abrams explains that the fate of a tribe, a nation, or the kind rush lies in the out come of the heros battle. The battle between George and Martha only affects their relationship and on this night spills into the lives of Nick and Honey. drunkenness exaggerates their actions, so that the extremes of the situation are explored. This allows the r eader to experience feelings which whitethor! n be outside their own experience. George and Martha continually try to gain the speeding hand in the relationship by contaminating each other. This degradation is an fact a type of self... If you urgency to she-bop a full essay, order it on our website:
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