In this passage Winston is in the dreaded Room 101 with OBrien and is forced to remain his cudgel fear in the world, rats. He succumbs to the pressure and commits the last-ditch playact of betrayal, the betrayal of Julia, to avoid this horror. This is a turning even for Winston because from this point in time on he is nonimmune to the Partys influence; the author manages to try this through several tale devices. This passage consists mostly of order speech interrupted by swindle passages of quit verificatory discourse from Winstons point of view. This is a contrast to the lead up to this extract which contains mostly free in necessitate discourse with a small measurement of direct speech. The effect created by this transmit is a reinforcement of the throw in location, previously he was in a reasonably comfortable cell, however, with this change to direct speech he is now in a contrastive cell. Another effect created by the direct speech is a personal community be tween O Brien and Winston, the former taking considerable personal experience in the work that he does. The change here excessively represents the change about to occur in Winston as he becomes another robot-like figure. This passage differs from the rest of the employment in a number of ways.
The tone of Orwells writing representative is a plumb unassuming one, explicitly stating things throughout the allegory using a casual tone as unconnected to a clod one; however, here he does not break out to mock things. This change represents the turning point for Winston emphasizing the sincerity and gravity of th e situation. At the beginning of this passag! e Orwell uses unequal sentences and short paragraphs which build up the tension: The door unresolved again. A guard came in, carrying something made of wire, a box or... If you expect to hold up a full essay, order it on our website:
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